Well, Smile, lemme think here. First I wrote the 600 + page novel! Ha! (I've come to realize that's the easy part!) I completed the first draft in 1994.
Second, I took what to me was some very difficult advice and put it aside for six months to a year and went on to something else. I fought the natural urge to send the 'script off right away.
When I pulled it back out and re-read it, I groaned. I gasped. Egad! How embarrassing! How stupid! I re-wrote it, taking the other "half" of the above advice, which was to cut 20% on the re-write when I finally took the novel back out of the drawer.
I did more than that. I edited out 60%! The second draft stood at 200-some pages. Again I set it aside. Third draft? Back up to the 400-page range cause I realized I'd taken TOO much out.
That's where it's hovered in the years since as I've gone through 8 more drafts.
In between those drafts I began working on the sequels, finishing one only to go back to the opening novel and re-write that, then returning to adjust the sequel.
I'm three novels in now, with the other two still languishing in my head so the characters (and their creator) can recover a bit from their strenuous adventures!
At some point -- around the year 2000 (that STILL sounds "futuristic to my 1960's mind!) -- I began soliciting publishers and agents. I probably shouldn't have cause the story was still melodramatic slush pile fodder.
For a long time all I received were form rejections. I kept records of where I sent manuscripts and how long it took for the rejection to come. I saved all the rejections so I can frame my favorites someday and laugh at them! Meanwhile, they're adequately humbling.
Eventually I began receiving rejections that were personal, discussing the chapters I'd sent with small details or suggestions about the characters or setting, the action or plot. I found this a "step up." I always took the time to write back and thank any editor or publisher who had sent me anything more than a form rejection letter.
This past October I went to Boston and took a course called Writing the Breakout Novel by Donald Maass, the agent-writer who is a past president of AAR. It was a great course and worth the time and expense. I would recommend it highly. But what that class did most for me was to encourage me because in listening to Maass talk about the elements that top-selling novels had in common, I realized I already had a good handle on the basics. Now I felt I had been given both the tools and the encouragement to make my work even better.
When I arrived home hyped up from that weekend course I was hit with startling news: my novel (which I'd entered many months before in a publisher's competition for which first place would be a publishing contract) had reached the finals. It was one of the top ten being considered based on the three chapters and synopsis which had been requested for entry. I was to send the whole manuscript for final judging.
I panicked! I had just learned all this stuff that I wanted to incorporate into my work! I pounded off an eleventh draft, taking about six days in which to do it. I had come home from Boston planning to take three months to re-work the book based on what I'd learned! ARGH!
But I was excited by my changes and happily sent the work off, feeling fairly confident I'd place in the top four. New Year's day the company announced the winners. I took second.
Despite placing second, it is this publisher who is interested in the work. Because my novel is part of a series, there were other considerations for her. Dotsie is right. I do feel connected to this woman on other levels, too. For one thing, once I found I was on the list of finalists I wanted to find out more about the publishing company (naturally).
Since Dawn, herself, is an author, I decided to read her work. I was delighted to discover I loved it! If you like fantasy and/or romance, I recommend it highly. It's called Rise of the Phoenix and you can get it at
www.brighidsfirebooks.comI plan to read it again, in fact and I hope to review it, as well, for the sf&f webzine for which I write. I would read passages aloud to myself simply because I liked her way with words. I hadn't done that since I read Kalil Gibran or portions of Shakespeare!
Anyway, that is my story (though there is actually more to the Maass part and more re: query letters). It's a young publishing house but their second book, The Haydes Project, appears to be doing very well. I haven't read it, though, cause I'm no fan of horror.
Meanwhile, I'm doing a re-edit of book two to bring it more in line with the last-minute changes I had made to book one and then I will send it off. If she likes the sequel as much as the first book I hope to hear from her again. No matter what happens, it's all very encouraging. She knows my novel is also with another publisher -- likely rotting beneath their slush pile, no doubt. She's made no promises to me nor I any to her and that's okay. I like the fact that she is intelligent, business savvy, and personable. It was so much fun to talk to her on the phone. I knew I would like her. I just knew it from having read her own work.
My novel is called The Secret of Sharada Nye. It's a sci-fantasy family saga. I began writing the characters nearly 25 years ago in college. Yes, it's that old! The maiin character was inspired by a crush I had on an actor whom I envisioned (when he was younger) playing the part should they ever make a movie out of it! HA HA HA! How goofy. Buy hey -- whatever inspires!
Now get this: tomoorow I'm actually off to see him in person (well ... live, anyway). I'm heading to NYC to see Chicago on Broadway in which he's reprising his tony-award winning role.
Life sure is funny. The guy'll never know cause of him I wrote three novels!
garrie
[ January 16, 2004, 03:40 PM: Message edited by: garrie keyman ]